Music, Lyric & Dance: Introduction of Calypso to Soca
Tuesday, August 28th, 2007A brief introduction and history…
This weekend is a national holiday in the United States known as Labor Day Weekend, a time for honoring America’s workforce. However, in Brooklyn, New York, the festivities tied to the West Indian influenced Carnival overshadows Labor Day by injecting Caribbean culture onto the streets of Eastern Parkway and throughout Brooklyn. The West Indian American Day Carnival parade is the second largest of the city with an estimated 3 million participants and attendees (Only the Puerto Rican Day Parade is larger.). Perhaps it is fitting, as Carnival, traditionally, is the last party effort before the pious season (back to all seriousness) of Lent. There are many such Caribbean influenced Carnivals throughout the United States (and in England and Canada), usually styled after Trinidadian, Brazilian or other Caribbean/Latin American Carnivals or Carnivales. Brooklyn Carnival, also connected to similar pre-Lentan celebrations in such nations as Brazil, Trinidad & Tobago, Panama, Italy, France and elsewhere, is celebrating its 40th year and is primarly styled after the country of Trinidad & Tobago. As such, the music that flows through the streets is Soca, an offshoot of the slower, more poetic Calypso music that consists of an influx of fast-paced African and East Indian (that’s India) rhythms. Even though both Calypso and Soca music still exist throughout the Caribbean (along side numerous others with the most popular being Reggae and Merengue), Soca has captivated the youth as both a message and dance music form. Via the internet, soca has become an international phenomena with adherrants as far aways as France, Italy and even Japan.
Neither Calypso nor Soca is new to the shores of the United States. In the 1940s, it was popular for white artists to cover songs written by black Caribbeans. One of the most famous being the Andrew Sisters coverage of Rum and Coca Cola (written by Lord Invador (lyrics) and Lionel Belasco (melody)). In the 1950s and 1960s, Trinidad’s The Mighty Sparrow and Jamaica’s Harry Belafonte (video includes Nat King Cole) had major hits in the U.S. Many white American artist have created their own Calypso songs as well as covered famous ones originally written by black Caribbean artists. For instance, in the 1990s, the band The Squirrel Nut Zipper’s penned a song called Hell that fit classically in Calypso. However, in the 1980s, an actor by the name of Dexter Poindexter covered a Calypso-Soca song originally performed by Monserat artist named Arrow that sold multi-platinum throughout the world. However, in the U.S., it was the originator of the song was virtually unknown. That song was Hot, Hot, Hot!! (literally, the name of it). In the late 1990s, Calypso and Soca artists had not faired much with original soca songs being presented to the American public by way of Caribbean cover bands. For instance, the mega hit “Who let the Dogs Out!” was originally writtened perfomed by Trinidadian Anselm Douglas in 1998 but would be released by much younger Caribbean men known as the Baha Men in the United States. Finally, fast forward to 2007 and many Soca artists are, finally, having their cake and eating it too with international hits at home (Caribbean) an abroad. Below is a snapshot of what is happening today in this ever-changing genre.
Guide for ratings:
7
: Excellent
6
: Very Good
5
: Good
4
: Average
3
: Fair/Needs Improvement
2
: Pretty Bad
1
: Horrible
AF: Appearance & Functionality
U: Usefulness of Content
Machel Montano
Current website: http://www.machelmontanohd.com/
MySpacePage: http://www.myspace.com/machelmontanoandxtatik
Wiki: http://en.wikipedia.org/wiki/Machel_Montano
AF: 





U: 




Once referred to as the Michael Jackson of soca music as his career launched with a hit at the age of 12, Machel Montano continues to re-arrange soca music with the help of his band Xtatik. He is as likely to merge soca with more East Indian Caribbean Chutney music of Trinidad as he is to merge it with the sounds of Jamaican reggae, or American hip hop & R&B. His lyrics focus on the spiritual to the nitty gritty of devilish Carnival antics. True to Calypso, his sexual lyrics are not overt and profanity is non-existent. In as such, his brand of soca makes for enjoyable listening for fans as young as 8 months to 80 years plus. His contant collaborations with numerous Caribbean artists serves to market the music to the world stage. To date, he is the only Caribbean artist to sell out Madison Square Garden’s The Theatre (an approximate 6,000 seat theater in NYC) twice in the same night this past March. The concert aired, in part, on BETJ this summer. As is common for a soca performance, the general rule is to stand and jump not sit and clap. His website is better than most but the developers should learn the basics of never having a “coming soon” section. With new album releases nearly yearly; one can expect a new look to everything by Christmas time as soca artists prepare for the next Carnival season. Also, the Montano family (he is managed by his mother and marketed by his brother) could learn to capitalize on the worldwide web by hiring designers to create collateral (i.e. t-shirts, handkerchiefs (flags), etc.) that are on par with the annual image. I suppose it is the old web developer/marketer in me that he could also use a better logo than “HD.”
On YouTube:
Young Machel at age 12
Machel with The Mighty Sparrow & Calypso Rose - Live in Concert
Machel at MSG - A fan’s view of the introduction to the March concert in NYC.
Jumbie - music video of the 2007 j’ouvey anthem and Trinidad Soca road march winning song written by Xtatik bandmember Kernel Roberts (son of the late Lord Kitchener).
Alison Hinds
MySpace: http://profile.myspace.com/index.cfm?fuseaction=user.viewprofile&friendid=66649643
Wiki: http://en.wikipedia.org/wiki/Alison_Hinds
AF: 


U: 


This Bajan (from Barbadoes) is the Queen of Soca with long-standing hits. She launched her career at around age 16 as the lone female singer with the popular band Square One. Even though Square One had male lead singers, when Hinds fronted the band, she became the first female singer to win road march titles, two back to back no less, in Barbadoes’ carnival known as Crop Over. The downside to searching for Alison is that there is very little content on her or Square One. The MySpace page leaves much to be desired and the website does not exist. Still, her power house voice reigns supreme even through amateur videos on YouTube.
YouTube Extras:
Hold Yuh Bumper - Square One (featuring Alison Hinds and Peter Ram)
Faluma in Concert - 2006 hit song.
Wining with Allison
Roll it Gal - 2007 video.
Shurwayne Winchester
website: http://www.new.shurwaynewinchester.com/
AF: 




U: 



A new soloist who started with the band Traffik Jam, he has fewer megahits than Machel or Alison. Winchester has exploded on the scene in 2004 with his first (of two back to back) road march winner “De Band Comin’.” His style is known to waver from hard hitting percussive pan (steel pan or steel drum) songs, such as “Dead or Alive,” to new hits that are heavily infused with East Indian rhythmns, like “Don’t Stop” A native of Tobago (the smaller of the two islands of Trinidad & Tobago), Winchester has coined the genre of “groovy soca” with melodious lyrics over jazzy chutney soca instrumentals and beats. He scores well for having investing dollars in producing videos on par with musicians who have been around the block more than he. His website is among the best an others Caribbean artists should take note. Although, the “shop” link was broken when I visited and the developers should probably ask users if they want to hear music before blasting it (NOTE: That is the reason why most people can websurf at work!).
Don’t Stop - video
Dead or Alive - 2006 Trinidad & Tobago Road March Winner.
BONUS – Unreviewed News:
Soca 101 - For a Crash Course in Current Soca Artists from Trinidad:
Escape 2 Soca - a collage of various artists in a video directed by Rembuction.
RemBunction:
Home on Youtube: http://www.youtube.com/user/RemBunction
MySpace: http://www.rembunction.com/
A director, graphic artist, musician, and, seemingly, jack of all music trades, this artist is making waves on YouTube by showcasing established artists he has produced or directed as well as highlighting his own musical skills. Musically, if you like David Rudder or Stevie Wonder, then RemBunction will appeal with the likes of A Quiet Evening (speaking out against violence) and Black Queen. His comical ditties, such as Mr. Santa Claus and Roti & Kuchela will amuse. Also, since he posts his own videos, he will provide insider details personally.
TriniJungle Juice
http://www.trinijunglejuice.com/junglejuice.html
Music from TriniJungle Juice: http://www.trinijunglejuice.com/music.html
Despite its name, the site does not only focus on music out of Trinidad. It is opportunity to listen to all the English speaking songs (and some Spanish) released in the Caribbean as well as follow concerts and events. The site is cumbersome to navigate but there is lots of information there, also includes steel pan, reggae, salsa, and chutney.
That’s it for now.
Regards,
Deidra
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